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	<title>Shari&#039;s Telling Stories &#187; appreciation for past poets</title>
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	<description>A little poetry, a little prose, from Shari Lynne Smothers</description>
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		<title>Master Distraction</title>
		<link>http://slstellingstories.com/2009/04/master-distraction/</link>
		<comments>http://slstellingstories.com/2009/04/master-distraction/#comments</comments>
		<pubDate>Wed, 29 Apr 2009 20:52:38 +0000</pubDate>
		<dc:creator>Shari Smothers</dc:creator>
				<category><![CDATA[National Poetry Month '09]]></category>
		<category><![CDATA[Random Poem]]></category>
		<category><![CDATA[appreciation for past poets]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[distracted by poetry]]></category>
		<category><![CDATA[poem]]></category>
		<category><![CDATA[suggested poets]]></category>

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		<description><![CDATA[It&#8217;s late and my page lays bare. No writers block is visiting here only over-tired delirium. Words come not belonging to me but to those I&#8217;ve read repeatedly, those who inspire and intimidate me. So it is better to speak remembering we were never meant to survive comes through from Audre Lorde and I pause [...]]]></description>
			<content:encoded><![CDATA[<!-- Start Shareaholic LikeButtonSetTop Automatic --><!-- End Shareaholic LikeButtonSetTop Automatic --><p>It&#8217;s late and my page lays bare.<br />
No writers block is visiting here<br />
only over-tired delirium.<br />
Words come not belonging to me<br />
but to those I&#8217;ve read repeatedly,<br />
those who inspire and intimidate me.</p>
<p><em>So it is better to speak<br />
remembering we were never<br />
meant to survive</em><br />
comes through from Audre Lorde<br />
and I pause to wonder about her emotions<br />
at the moment she wrote those lines.</p>
<p><em>Dissolving in the chemic vat<br />
of time, man (gristle and fat),<br />
corrupting on a rock in space&#8230;</em><br />
slides in and I&#8217;m once again<br />
marveling at Stanley Kunitz<br />
and the imagery he chooses to create.</p>
<p>I think about how, like Diane Ackerman<br />
I too praise my destroyer.<br />
Then I think I get how Billy Collins<br />
came to see the relationship<br />
between sex and death.</p>
<p>And without recalling<br />
a single word from either, their names<br />
Maya Angelou and Lucille Clifton<br />
summon up from deep within me,<br />
adoration and reverence such that<br />
I know, no one will miss my voice<br />
not put on paper tonight.</p>
<p><strong><em>©2009 by Shari Lynne Smothers</em></strong></p>
<h3>My distractions for this poem came from the following works:</h3>
<p><em>A Litany for Survival</em> by Audre Lorde, from <strong>The Black Unicorn</strong><br />
<em>Change</em> by Stanley Kunitz, from <strong>The Collected Poems</strong><br />
<em>I Praise My Destroyer</em> by Diane Ackerman, from <strong>I Praise My Destroyer</strong><br />
<em>Purity</em> by Billy Collins, from <strong>Questions About Angels</strong><br />
<em>Ailey, Baldwin, Floyd, Killens, and Mayfield</em> by Maya Angelou, author of <strong>I Shall Not be Moved</strong><br />
<em>Study the Masters</em> by Lucille Clifton, from <strong>Blessing the Boats</strong></p>
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